And without this, we wouldn’t really be able to This symmetry makes the guitar a logical instrument in some ways. Octaves are very important in music theory.s below that of the IIIrd fret on the highest string. If we play the note on the lowest string, fret III it is exactly two One feature of the guitar is that both the highest and lowest strings are tuned to the same note,Į, and this lends a semi-symmetrical feeling to the guitar neck. Tuning that causes fretboard shapes and patterns to appear different when they cross over the B string.įirst, a primer on guitar tuning is in order. One mark of the advancing guitar player is that they begin to come to grips with the B string gap, that oddity of guitar This frustrates every guitar player at some point, but with some thoughtful practice you can learn to visualize the notes as they move along the guitar, both up and down strings–and jumping across strings. And also, it's a great thing to do because you need to be able to see those relationships anyways. Ultimately, the more often you take patterns and move them across the strings, the faster you'll learn to visualize this happening. I'm going to show you some of the logic of how this works by taking a drop 2 C maj7 chord and moving it across the strings with you. You'll find yourself automatically adjusting the patterns you play as the cross over to the B string and beyond, and intuitively the guitar will make alot more sense once you can see where this boundary is and how it affects everything you play. This is something that you'll start to really grasp intuitively over time as your playing advances. The notes played on the B string must all be raised by one fret, so the pattern will LOOK different but SOUND the same. But if you try to play such a pattern from the "C" of the 3rd string, it must cross onto the B string, and the shape of the pattern must change. And if you start it on the "C" of the fourth string it's also the same. Start it on the "C" of the 6th string and compare that to the same pattern starting on the "C" of the 5th string. Take any pattern that uses two or more strings. The disadvantage is that the intermediate guitar learner starts to feel that there is suddenly a missing fret between strings G and B. If we kept going in fourths, the 2nd string would be tuned to C and the first string would be tuned to F and the whole thing would get a little out of control. The advantage of this tuning is that we have E on both sides, so it's somewhat symmetrical. But when we go from G to B it's only a third. From E to A is a fourth from A to D is a fourth. Why do we have a gap? The guitar is tuned mostly in fourths. One of the most frustrating things about learning the guitar is learning to compensate for the gap between the G and B strings.
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